The Waste Land is one of the first ever theatrical responses to T.S. Eliot's masterpiece and will be staged on its 100th Anniversary. This brand-new experimental production, written by a group of Cambridge students, explores the broken fragments of our culture, examines the nature of human connection, and seeks to push the boundaries of theatrical conventions.
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The cast and crew of CHESS: The Musical in conversation with William Hartston, Technical Advisor on the original production and international chess master.
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We speak to the directors, Rishi Sharma and Tom Shortland, ahead of their upcoming production of Amadeus at the ADC Theatre.
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This is Wuthering Heights, but not necessarily as you might know it...
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We spoke to Rosencrantz (Will Males) and Guildenstern (Dan Aspel) about what it has been like rehearsing for this challenging show.
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Director, Carla Keen, tells us what it is like putting together a fully improvised show...
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Co-director David Sear tells us about his experience directing Tom Stoppard's legendary play.
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Rosencrantz and Guildenstern Are Dead, Tom Stoppard’s surreal comic masterpiece featuring ’two of the minor characters from Hamlet’ (as he describes them), presents some unique challenges to a director and a set designer.
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There is a fundamental flaw with Tom Stoppard’s Rosencrantz and Guildenstern Are Dead: It contains so many (…too many?) stunning one-liners - some profound, some hilarious and all eminently quotable, and you just want to (impossibly) remember them all....
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DOG/ACTOR is a double-bill of comedic short plays by Steven Berkoff, performed back-to-back by the same actor. As part of its tour of the country, the show will be performing at the Corpus Playroom in July. We spoke to Director/Performer STEPHEN SMITH to find out more.
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